UMJPJ would tell you about one of his favorite Japanese composers: the great Kenji Kawai . But before that, doing a little back in time.
Before landing in Japan, where I currently reside, I lived in Paris. A Japanese friend and I had created a small business services for Japanese residing or traveling in France. For several years we have had the chance to invest in numerous professional activities and adventures extremely exciting! During this incredible adventure we've had the great fortune to meet twice the composer Kenji Kawai . This composer is also a big fan of France. He deeply loves this country and I was very moved. Before meeting him, I knew Kenji Kawai with bonus interviews that were in some DVDs of Japanese films in my possession. But the first time I met him in real life, I was literally speechless and impressed.
But talking about the composer. Kenji Kawai is a composer of music for TV series, films and animations. You have probably heard if you look, because he composed songs including for "Seven Swords ", " Ring," "Dark Water ", "Ghost in the Shell ", " Ghost in the Shell 2: Innocence " or "Death Note 2 " to name. His career began in the 80s with the composition of music for numerous animated series including " Juliet, I love you " or "Ranma ½ . For decades, Kenji Kawai has developed a style and musical approach of the most artistic and original. Very close to contemporary music, he enjoys all music and sound experiments. Each new composition, one realizes that he is still in research, artistic quest, not being afraid to question and take risks. It is truly a great artist!
"Ghost in the Shell: Innocence: Kugutsuuta kagirohi ha yomi no mata muto" live (Kenji Kawai) ↓
Saber Excalibur "(Kenji Kawai) ↓
" Voyage to Avalon " (Kenji Kawai) live ↓
My friend and myself had met Kenji Kawai to his arrival in France in 2005, when the movie " Ghost in the Shell 2: Innocence "was presented at Cannes and he was participating in the Expo Aichi 2005 . On those occasions, he gave numerous interviews in France.
We had the chance to attend one of them as interpreters for the magazine " Cinefonia " with Sebastian Faelens . You can read his article "Kenji Kawai : the future and the dream of four interviews with Kenji Kawai at:
→ http://www.underscores.fr/index.php/2011/01 / kenji-kawai-interview /
But before we go find the vision of "future " and " dream" by one of the greatest composers of music for Japanese films, retain these first two words in Japanese:
THE FUTURE:
MIRAI
(Anglicized pronunciation: milaya)
Japanese writing: 未来 (み らい)
(Anglicized pronunciation: milaya)
Japanese writing: 未来 (み らい)
UN RÊVE:
YUME
(prononciation francisée: YOUMÉ)
écriture japonaise: Dream (Dream)
(prononciation francisée: YOUMÉ)
écriture japonaise: Dream (Dream)
Découvrez l'excellent site " UNDERSCORES.FR " et à bientôt!!! Mata né!!!
Partenaires:
1) Bibi and Bobo French :
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2) Sukaipuressun French:
French online lessons to Skype.
using Skype, your home computer from anywhere in Japan can
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